Article-Journal

Re-quantifying W. C. Printz’s Concept of Quantitas Intrinseca

Jan 1, 2025


An Emendation to Pseudo-Aristotle, Problemata 19.4

Jan 1, 2025


How the Triad Took (a) Root

Apr 1, 2022


‘Something Else is Possible’: Transcultural Collaboration as Anti-Apartheid Activism in the Music of Juluka

Dec 1, 2021


Canons and Contestable Cadences in Brahms′s Op. 118 No. 4

Apr 1, 2021


Mathematical Approaches to Defining the Semitone in Antiquity

Apr 1, 2020


The Triad in Dispute: Johannes Lippius, His Audiences, and the Disputatio Genre

Jan 1, 2020


Pedagogy and Authority in Sixteenth-Century German Music Theory Textbooks

Jan 1, 2020


The Formal Function of Fortspinnung

Jan 1, 2018


Blainville′s New Mode, or How the Plagal Cadence Came to be `Plagal'

Feb 1, 2015