Publications

Against the Monochord: Numbers, String Lengths, and the History of Music Theory

Music Theory Online, 31, no. 4 (December 2025)


From Juluka to Savuka: Johnny Clegg’s Changing Compositional Practices

Johnny Clegg: Critical Reflections on his Music and Influence, ed. Michael Drewett and Lucilla Spini, 209–27. Johannesburg: Wits University Press


Early Modern Music Cognition: The Case of W. C. Printz

Journal of Music Theory 69, no. 2 (October 2025): 263–84


An Emendation to Pseudo-Aristotle, Problemata 19.4

The Classical Quarterly 74, no. 2 (December 2024): 784–87


Re-quantifying W. C. Printz’s Concept of Quantitas Intrinseca

Music Theory and Analysis (MTA) 11, no. 2 (October 2024): 172–95


How the Triad Took (a) Root

Journal of Music Theory 66, no. 1 (April 2022): 43–62


‘Something Else is Possible’: Transcultural Collaboration as Anti-Apartheid Activism in the Music of Juluka

Popular Music 40, no. 3–4 (December 2021): 450–69


Canons and Contestable Cadences in Brahms′s Op. 118 No. 4

Music Theory and Analysis (MTA) 8, no. 1 (April 2021): 143–52


The Triad in Dispute: Johannes Lippius, His Audiences, and the Disputatio Genre

Music Theory Spectrum 42, no. 2 (Fall 2020): 247–59


Mathematical Approaches to Defining the Semitone in Antiquity

Journal of Mathematics and Music 14, no. 3 (November 2020): 292–306