Caleb Mutch (2025). Re-quantifying W. C. Printz’s Concept of Quantitas Intrinseca. Music Theory and Analysis (MTA).

Caleb Mutch (2025). From Juluka to Savuka: Johnny Clegg’s Changing Compositional Practices. There’s a Song to be Sung: Critical Reflections on the Music and Influence of Johnny Clegg.

Caleb Mutch (2025). An Emendation to Pseudo-Aristotle, Problemata 19.4. Classical Quarterly.

Caleb Mutch (2022). How the Triad Took (a) Root. Journal of Music Theory.
→Winner of the David Kraehenbuehl Prize 2022–23.

Caleb Mutch (2021). ‘Something Else is Possible’: Transcultural Collaboration as Anti-Apartheid Activism in the Music of Juluka. Popular Music.

Caleb Mutch (2021). Canons and Contestable Cadences in Brahms′s Op. 118 No. 4. Music Theory and Analysis (MTA).

Caleb Mutch (2020). Mathematical Approaches to Defining the Semitone in Antiquity. Journal of Mathematics and Music.

Caleb Mutch (2020). The Triad in Dispute: Johannes Lippius, His Audiences, and the Disputatio Genre. Music Theory Spectrum.

Caleb Mutch (2020). Pedagogy and Authority in Sixteenth-Century German Music Theory Textbooks. Theoria - Historical Aspects of Music Theory.

Caleb Mutch (2018). The Formal Function of Fortspinnung. Theory and Practice.